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Andrea del Verrocchio and Leonardo da Vinci · c. 1472–75

The Baptism of Christ

Posters from $15.00 CAD · Canvas from $39.00 CAD

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John the Baptist pours water over Christ standing in the Jordan while two kneeling angels hold his robe — painted in Verrocchio's workshop, with the angel in blue at the far left and parts of the hazy river landscape given to his young pupil Leonardo. Uffizi Gallery, Florence.

Up to 12 × 14.2 in · portrait

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

12″14.2″

+ tax at checkout

Materials & quality

›Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

›Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

›Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

›Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of The Baptism of Christ

The panel was painted around 1472-75 in the Florentine workshop of Andrea del Verrocchio for the church of San Salvi. It is generally accepted that Verrocchio's pupil Leonardo da Vinci painted the angel on the far left and worked on parts of the landscape and the figure of Christ. Giorgio Vasari tells the story that Verrocchio, seeing his pupil's angel, resolved never to touch a brush again. The painting has been in the Uffizi since 1919.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Leonardo da Vinci

Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded as a genius who epitomised the Renaissance humanist ideal, and his collective works contributed to the development of European art to an extent rivalled only by that of his younger contemporary Michelangelo.

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.

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