Umberto Boccioni · 1911
The Street Enters the House
Posters from $15.00 CAD · Canvas from $39.00 CAD
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A woman in blue and white, seen from behind, leans over her balcony above a street in the middle of construction: workmen raise scaffold poles beside a pile of bricks, houses tilt in from both sides and a line of horses races through the foreground, all in broken strokes of violet, yellow and blue. Sprengel Museum, Hannover.
Up to 16 × 16 in · square
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Street Enters the House
Boccioni began a series of paintings about modern urban life in 1910 with The City Rises; The Street Enters the House belongs to the same series. It was first shown in Paris in 1912 at the first Futurist exhibition and is now in the Sprengel Museum in Hannover. Scholars disagree about who the woman on the balcony is; some think Boccioni used his mother as the model.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Umberto Boccioni
Umberto Boccioni was an influential Italian painter and sculptor. He helped shape the revolutionary aesthetic of the Futurism movement as one of its principal figures. Despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his death. His works are held by many public art museums, and in 1988 the Metropolitan Museum of Art in New York City organized a major retrospective of 100 pieces.
All Umberto Boccioni prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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