William-Adolphe Bouguereau · 1850
Dante and Virgil in Hell
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Dante in a laurel wreath and Virgil in a grey cloak watch in Hell as two naked damned souls fight, one biting the other's neck, while a winged demon hovers over a crowd of the damned. Musée d'Orsay, Paris.
Up to 12 × 15 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Dante and Virgil in Hell
Bouguereau painted the picture as his third attempt at the Prix de Rome; it did not win the prize. It was shown at the Salon of 1850 at the Palais-Royal in Paris. The scene is from Dante's Inferno: Gianni Schicchi, a fraudster, bites the neck of the alchemist Capocchio.
Adapted from Wikipedia, available under CC BY-SA 4.0.
William-Adolphe Bouguereau
William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.
All William-Adolphe Bouguereau prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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