Jacques-Louis David · 1788
Portrait of Antoine-Laurent Lavoisier and His Wife
Posters from $15.00 CAD · Canvas from $39.00 CAD
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The chemist Lavoisier at a red-draped table of glass apparatus, turning to his wife Marie-Anne, who leans on his shoulder in a white muslin dress beside her drawing portfolio. The Metropolitan Museum of Art.
Up to 12 × 16 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Portrait of Antoine-Laurent Lavoisier and His Wife
Marie-Anne Lavoisier, who had taken drawing lessons from David, commissioned the double portrait; David was paid 7,000 livres in December 1788. The table holds scientific instruments, including a gasometer, a still and a glass bell jar, and Marie-Anne's portfolio of drawings sits at the left. The painting was kept out of the Salon of 1789 for fear that a portrait of a man tied to the royal administration would provoke hostility. It remained little seen until 1889. The Metropolitan Museum of Art acquired it in 1977 from the Rockefeller Institute for Medical Research.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Jacques-Louis David
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
All Jacques-Louis David prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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