Jacques-Louis David · 1789
The Lictors Bring to Brutus the Bodies of His Sons
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Brutus, founder of the Roman Republic, sits brooding in shadow at the left while the lictors carry in the bodies of the sons he condemned for plotting to restore the monarchy, and his wife and daughters recoil in grief at the right. Musée du Louvre.
Up to 31.8 × 24 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Lictors Bring to Brutus the Bodies of His Sons
David worked on the painting for more than two years and first showed it at the Paris Salon of 1789. The subject is Lucius Junius Brutus, who had to order the deaths of his own sons after they conspired against the new republic. The return of the bodies is an episode David added himself: it is not in Livy or Plutarch. The canvas measures 323 by 422 cm.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Jacques-Louis David
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
All Jacques-Louis David prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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