John Everett Millais · 1850–51
Mariana
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Mariana, in a blue velvet dress, stands up from her embroidery at a window of stained glass and stretches her aching back, a table of autumn leaves beside her. Tate Britain, London.
Up to 11 × 13.5 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Mariana
Mariana (also called Mariana in the Moated Grange) is an 1851 oil-on-panel painting by Millais. It shows the solitary Mariana from Shakespeare's Measure for Measure, as retold in Tennyson's 1830 poem. It has been held by Tate Britain since 1999.
Adapted from Wikipedia, available under CC BY-SA 4.0.
John Everett Millais
Sir John Everett Millais, 1st Baronet was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–1852.
All John Everett Millais prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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