Jacques-Louis David · 1805
Portrait of Pope Pius VII
Posters from $15.00 CAD · Canvas from $39.00 CAD
Ships across Canada
Pope Pius VII sits three-quarter length in a gold-embroidered armchair in a red velvet camail and white zucchetto, a paper reading 'Pio VII Bonarium Artium Patron' in his hand, the signature 'LUD. DAVID PARISIIS 1805' at top left. Musée du Louvre.
Up to 16 × 19.2 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Portrait of Pope Pius VII
David painted the portrait from life at the Tuileries around the end of February 1805 to thank the Pope for attending Napoleon's coronation. He shows Pius in an introspective pose rather than as the most powerful prelate in Christianity, and was paid 10,000 francs. It hung in the Luxembourg Palace before entering the Musée Napoléon (the Louvre), where it has been since 1827. David made three copies; the one he took to Brussels is now lost.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Jacques-Louis David
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
All Jacques-Louis David prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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