Jacques-Louis David · 1794
Self-Portrait
Posters from $15.00 CAD · Canvas from $39.00 CAD
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David painted himself at 46 in a grey overcoat with wide chestnut lapels and a white cravat, a palette and brushes in his hands, seated in an armchair against a plain yellow-grey wall. Musée du Louvre.
Up to 16 × 20.1 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Self-Portrait
David painted the picture in 1794 while imprisoned at the Hôtel des Fermes for having supported Robespierre. It was his third and last self-portrait. He gave it to his former student Jean-Baptiste Isabey, and it entered the Louvre in 1852. The mirror he used was supplied by his pupil Pierre-Maximilien Delafontaine, which explains the reversed hands: David was right-handed but holds the brush in his left.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Jacques-Louis David
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
All Jacques-Louis David prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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