J. M. W. Turner · 1834
Wreckers, Coast of Northumberland
Posters from $15.00 CAD · Canvas from $39.00 CAD
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A storm on the Northumberland coast — a merchant ship drives toward the shore through breaking waves while a steamboat comes to her aid and a band of wreckers gathers on the beach, the ruins of Dunstanburgh Castle looming through the spray. Yale Center for British Art, New Haven.
Up to 32.3 × 24 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Wreckers, Coast of Northumberland
The painting shows a merchant ship about to ground during a storm on the coast of Northumberland; a steamship is coming to its aid, but wreckers are gathering in the foreground ready to pillage the cargo, which gives the picture its title. The ruins of Dunstanburgh Castle appear in the distance. It was shown at the Royal Academy Exhibition of 1834, and in 1844 it was one of eight Turners bought by the whaling magnate Elhanan Bicknell. It is now in the Yale Center for British Art as part of the Paul Mellon Collection.
Adapted from Wikipedia, available under CC BY-SA 4.0.
J. M. W. Turner
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. His artistic style developed over his lifetime, moving away from Romanticism—bypassing the following rising style of Realism—and, instead, with his later works being a significant precursor of and presaging the later Impressionist and Abstract Art movements that arose in the decades after his death. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting. In 1969 art historian Kenneth Clark wrote of Turner: "He was a genius of the first order—far the greatest painter that England has ever produced..."
All J. M. W. Turner prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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