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Rogier van der Weyden · c.1435

Descent from the Cross

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Van der Weyden's compressed, gold-ground Lamentation — ten over-life-sized figures crammed into a stage-set tomb, their grief sculptural. Prado, Madrid.

Up to 48 × 37 in · landscape

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Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

2419

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The story of Descent from the Cross

The Descent from the Cross is a panel painting by the Flemish artist Rogier van der Weyden created c. 1435, now in the Museo del Prado, Madrid. The crucified Christ is lowered from the cross, his lifeless body held by Joseph of Arimathea and Nicodemus.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Rogier van der Weyden

Rogier van der Weyden, initially known as Roger de la Pasture, was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign aristocrats. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the 200 years that followed; today he is known, with Robert Campin and van Eyck, as the third of the three great Early Netherlandish artists, and widely as the most influential Northern painter of the 15th century.

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.

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