James McNeill Whistler · 1863–65
The Princess from the Land of Porcelain
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Whistler's Japonisme portrait of Christine Spartali in a kimono worn Western-style, holding a fan before a Japanese folding screen, with a blue-and-white porcelain vase and rug around her. Freer Gallery of Art, Washington.
Up to 11 × 19.3 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Princess from the Land of Porcelain
Whistler painted the picture between 1863 and 1865 with Christine Spartali, sister of the Pre-Raphaelite artist Marie Spartali Stillman, as his model. It later hung in the dining room of the shipping magnate Frederick Leyland, the room Whistler decorated as the Peacock Room. Charles Lang Freer bought the painting and then the entire room, and it still hangs above the fireplace in the Peacock Room at the Freer Gallery of Art.
Adapted from Wikipedia, available under CC BY-SA 4.0.
James McNeill Whistler
James Abbott McNeill Whistler was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".
All James McNeill Whistler prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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