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Frederic Edwin Church · 1860

Twilight in the Wilderness

Posters from $15.00 CAD · Canvas from $39.00 CAD

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A blazing red and orange sky over a still lake and unbroken northeastern forest, with no trace of human life but one small bird — Church's most famous image of unspoiled American wilderness. Cleveland Museum of Art.

Up to 25.9 × 16 in · landscape

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

25.9″16″

+ tax at checkout

Materials & quality

›Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

›Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

›Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

›Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of Twilight in the Wilderness

Church painted Twilight in the Wilderness in 1860 from sketches made on his many trips to Maine, including Mount Desert Island and Mount Katahdin. Wikipedia notes it is likely a composite of field studies. There are no signs of human activity; the only animal is a small bird perched at the left. The sky, with its graded purples, oranges and yellows, shows the influence of Turner. The scholar John K. Howat calls it the most impressive of Church's pictures of untouched North American woodland.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Frederic Edwin Church

Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.

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