Caspar David Friedrich · 1809-10
The Abbey in the Oakwood
Posters from $15.00 CAD · Canvas from $39.00 CAD
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The roofless ruin of a Gothic abbey church rises among bare, twisted oaks in a snowy graveyard at dusk, a thin crescent moon above; a small procession of monks carries a coffin towards the open portal. Alte Nationalgalerie, Berlin.
Up to 25 × 16 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Abbey in the Oakwood
Painted between 1809 and 1810 in Dresden, it was first shown with The Monk by the Sea at the Prussian Academy exhibition of 1810. Friedrich asked that it hang beneath The Monk by the Sea. King Frederick William III bought both pictures, and they now hang side by side in the Alte Nationalgalerie.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Caspar David Friedrich
Caspar David Friedrich was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the natural world. Friedrich's paintings often set contemplative human figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. Art historian Christopher John Murray described their presence, in diminished perspective, amid expansive landscapes, as reducing the figures to a scale that directs "the viewer's gaze towards their metaphysical dimension".
All Caspar David Friedrich prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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