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Caspar David Friedrich · 1808-1810

The Monk by the Sea

Posters from $15.00 CAD · Canvas from $39.00 CAD

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A tiny, solitary figure stands on a pale dune before a dark sea and a vast, hazy sky: Friedrich's near-abstract seascape of sand, water and cloud. Alte Nationalgalerie, Berlin.

Up to 17.1 × 11 in · landscape

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

12.4″8″

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Materials & quality

›Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

›Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

›Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

›Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of The Monk by the Sea

The Monk by the Sea was painted between 1808 and 1810 in Dresden and was first shown together with The Abbey in the Oakwood in the Berlin Academy exhibition of 1810. On Friedrich's request it was hung above The Abbey in the Oakwood. After the exhibition both pictures were bought by King Frederick William III, and today they hang side by side in the Alte Nationalgalerie, Berlin.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Caspar David Friedrich

Caspar David Friedrich was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the natural world. Friedrich's paintings often set contemplative human figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. Art historian Christopher John Murray described their presence, in diminished perspective, amid expansive landscapes, as reducing the figures to a scale that directs "the viewer's gaze towards their metaphysical dimension".

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.

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