John Constable · 1829
Hadleigh Castle, The Mouth of the Thames: Morning after a Stormy Night
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Constable's brooding view of the ruined towers of Hadleigh Castle above the Thames estuary, with cattle and a shepherd on the hillside under storm clouds clearing to a pale dawn. Yale Center for British Art, New Haven.
Up to 21.7 × 16 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
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Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Hadleigh Castle, The Mouth of the Thames: Morning after a Stormy Night
Constable visited Hadleigh Castle in 1814 and made a drawing, which he developed into a full-sized oil sketch and then the finished painting exhibited at the Royal Academy in 1829. The sketch is at the Tate Gallery, London, while the finished painting hangs at the Yale Center for British Art. Art historians have called it one of his most monumental works.
Adapted from Wikipedia, available under CC BY-SA 4.0.
John Constable
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area on the borderland of Suffolk and north Essex surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
All John Constable prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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