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John Constable · 1816

Wivenhoe Park, Essex

Posters from $15.00 CAD · Canvas from $39.00 CAD

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Constable's sunlit view of the Rebow family's park near Colchester: cows grazing beside a rambling fence, a lake with swans and a rowing boat, and a pink brick house among the trees. National Gallery of Art, Washington.

Up to 14.8 × 8 in · landscape

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

14.8″8″

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Materials & quality

›Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

›Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

›Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

›Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of Wivenhoe Park, Essex

Wivenhoe Park was finished in September 1816 and was commissioned by Major General Francis Slater Rebow, owner of the estate and a friend of Constable's father. The park lies near Colchester in Essex and is now the campus of the University of Essex. Rebow's seven-year-old daughter, whom Constable had painted in 1812, appears in a donkey cart at the left.

Adapted from Wikipedia, available under CC BY-SA 4.0.

John Constable

John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area on the borderland of Suffolk and north Essex surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.

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