Jean-Auguste-Dominique Ingres · 1845
Comtesse d'Haussonville
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Louise de Broglie, Comtesse d'Haussonville, in a grey-blue satin gown, rests her chin on her hand beside a dresser, while a mirror behind her reflects the back of her head and a red ribbon in her hair. The Frick Collection, New York.
Up to 16 × 22.4 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Comtesse d'Haussonville
Ingres accepted very few portrait commissions by 1845, and this was one of two he took on. He had sketched Louise de Broglie two or three years earlier and abandoned an oil version when she became pregnant. Her descendants sold the finished portrait to the dealer Georges Wildenstein, and the Frick Collection bought it in 1927.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.
All Jean-Auguste-Dominique Ingres prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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