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Jean-Auguste-Dominique Ingres · 1814

La Grande Odalisque

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Ingres's elongated reclining nude in a Turkish harem — anatomically impossible spine, an extra vertebra, the painting that scandalised the Salon of 1819. Louvre.

Up to 36 × 20 in · landscape

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

2413

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Hand-printed in Ottawa
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The story of La Grande Odalisque

Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine in 1814. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Jean-Auguste-Dominique Ingres

Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.

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