Henry Fuseli · c.1790
Titania and Bottom
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Titania, queen of the fairies, stands with a raised wand beside the donkey-headed weaver Bottom, whom she has fallen in love with, while a swarm of tiny fairies and changelings attends him. Tate Britain.
Up to 10 × 8 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Titania and Bottom
Titania and Bottom is an oil painting by Henry Fuseli from around 1790, held at Tate Britain. It was commissioned by John Boydell for his Shakespeare Gallery and shows a moment from Act IV, scene 1 of A Midsummer Night's Dream, in which Titania, under a love potion, dotes on Bottom, whose head has been turned into that of an ass. Titania's pose is adapted from Leonardo's Leda and the Swan (Wikipedia, Titania and Bottom).
Adapted from Wikipedia, available under CC BY-SA 4.0.
Henry Fuseli
Henry Fuseli was a Swiss painter, draughtsman, and writer on art who spent much of his career in Britain.
All Henry Fuseli prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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