James McNeill Whistler · 1860–64
Wapping
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Whistler's Thames scene — a red-haired woman and two men talking on a riverside balcony, the river behind them crowded with sailing ships, rigging and warehouses. National Gallery of Art, Washington.
Up to 17.1 × 12 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Wapping
Whistler began the painting, which he first called Rotherhithe, in 1860 while living in Wapping, and it grew out of one of his etchings; it was the most complex painting he had attempted. The woman was modelled by Joanna Hiffernan and one of the men by his friend Alphonse Legros. He first conceived it as a prostitute's negotiation with a client, then reworked it, closing her open blouse, as he became more interested in the arrangement of the three figures. It was shown at the Royal Academy in 1864 and sold to his patron Thomas Winans; the National Gallery of Art acquired it in 1982.
Adapted from Wikipedia, available under CC BY-SA 4.0.
James McNeill Whistler
James Abbott McNeill Whistler was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".
All James McNeill Whistler prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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