William Holman Hunt · 1854-60
The Finding of the Saviour in the Temple
Posters from $15.00 CAD · Canvas from $39.00 CAD
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The boy Jesus in a violet striped tunic is found by Mary and Joseph among seated rabbis in a gilded, richly patterned Temple, Hunt's meticulously detailed Middle Eastern version of the scene from Luke's Gospel. Birmingham Museum and Art Gallery.
Up to 39.1 × 24 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Finding of the Saviour in the Temple
Hunt painted The Finding of the Saviour in the Temple between 1854 and 1860 as an ethnographically accurate version of the subject traditionally known as Christ Among the Doctors. He travelled to the Middle East to make it, using local people as models and studying ancient Jewish customs and rituals. It shows the moment Mary and Joseph find the twelve-year-old Jesus among the rabbis, who react in contrasting ways to what he says.
Adapted from Wikipedia, available under CC BY-SA 4.0.
William Holman Hunt
William Holman Hunt was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt, it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works.
All William Holman Hunt prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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