William Holman Hunt · 1868
Isabella and the Pot of Basil
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Isabella, in a sheer white gown, caresses the Italian jar in which she has buried the head of her murdered lover, basil spilling over its rim in a richly patterned Florentine room. Laing Art Gallery, Newcastle.
Up to 8 × 13 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Isabella and the Pot of Basil
Isabella and the Pot of Basil is a painting completed in 1868 by the English artist William Holman Hunt depicting a scene from John Keats's poem Isabella, or the Pot of Basil.
Adapted from Wikipedia, available under CC BY-SA 4.0.
William Holman Hunt
William Holman Hunt was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt, it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works.
All William Holman Hunt prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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