John Constable · 1823
Salisbury Cathedral from the Bishop's Grounds
Posters from $15.00 CAD · Canvas from $39.00 CAD
Ships across Canada
The cathedral's spire stands against a heavy, brooding sky beyond a pond where cattle drink, seen through a frame of elms, with the Bishop of Salisbury and his wife strolling at the left. Victoria and Albert Museum, London.
Up to 10.3 × 8 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Salisbury Cathedral from the Bishop's Grounds
The 1823 prime version has been in the V&A since it came with the Sheepshanks Gift in 1857. It was commissioned by Constable's friend John Fisher, the Bishop of Salisbury, who objected to the dark cloud over the cathedral and asked for a more serene sky in a smaller replica.
Adapted from Wikipedia, available under CC BY-SA 4.0.
John Constable
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area on the borderland of Suffolk and north Essex surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
All John Constable prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
You may also like
John Constable · 1821
The Hay Wain
Mini · Petite · Small · Medium
From $15.00 CAD
John Constable · 1819
The White Horse
Mini · Petite · Small · Medium
From $15.00 CAD
John Constable · 1816
Wivenhoe Park, Essex
Mini
From $15.00 CAD
John Constable · 1829
Hadleigh Castle, The Mouth of the Thames: Morning after a Stormy Night
Mini · Petite · Small · Medium
From $15.00 CAD
John Constable · 1828
The Vale of Dedham
Mini · Petite · Small · Medium
From $15.00 CAD
John Constable · 1826
The Cornfield
Mini · Petite · Small · Medium · Large
From $15.00 CAD