Jan van Eyck · c. 1436–38
The Crucifixion and The Last Judgement (Diptych)
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Two tall panels in their original inscribed frames — at left the Crucifixion, horsemen and onlookers crowding beneath the three crosses with Christ's mourners in the foreground; at right the Last Judgement, Christ in red among the saints, Saint Michael standing on a skeletal Death above a teeming hell. Metropolitan Museum of Art, New York.
Up to 16 × 19.2 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Crucifixion and The Last Judgement (Diptych)
The diptych consists of two small panels, each just 56.5 by 19.7 cm, attributed to Jan van Eyck with areas finished by unidentified followers or members of his workshop. It is one of the early oil-on-panel masterpieces of the Northern Renaissance, known for its complex, highly detailed iconography, and was probably made for private devotion. The left wing shows Christ's followers grieving in the foreground, soldiers and spectators in the middle ground and the three crosses against a wide sky with Jerusalem in the distance; the right wing shows hell at the base, the resurrected awaiting judgement, and Christ in Majesty with saints, apostles, clergy and nobility above. The original gilt frames carry Biblical passages in Latin.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Jan van Eyck
Jan van Eyck was an early Netherlandish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the supreme figures of the Early Northern Renaissance. Such was his legacy, that he has been called “the inventor of oil-painting” by Vasari, Ernst Gombrich, and others, although this claim is now considered an oversimplification.
All Jan van Eyck prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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